The
Welsh Dresser: A Case Study |
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Moira Vincentelli, School of Art, University of Wales, Aberystwyth mov@aber.ac.uk | |||||||||
Introduction
Originally written in Welsh, this passage by the novelist Kate Roberts conjures up many of the points I want to raise in this article. It suggests the delight in domestic activity, in domestic display, in the production of good food, and the status and satisfaction of owning a family heirloom in the form of 'an old dresser' and at the same time being up-to-date with 'new-fashioned little glass plates'. Kate Roberts wrote about Wales in the first half of the twentieth century - a Wales emerging from its peasant and rural roots into industrial and consumer society. Her novels focus on women and evoke the importance of domestic objects as symbols of identity and change in women's lives. From a different perspective the burgeoning of consumer society can be connected with 'conspicuous consumption' and the expansion of the middle class of the nineteenth century where the nouveaux riches demonstrate their distance from practical activity and the world of work through the display of decorative goods chosen for their 'look' rather than their 'usefulness'.2 This can be linked with the phenomenon of large shops and department stores where personal choice from a wide range of similar items becomes significant. Remy Saisselin deploys the notion of the 'bibelot' and associates it with the female domain.
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The Welsh Dresser: A Case Study Issue 1 |